34-35 by Liu Yunshan：Editor's note: Except for influence of the folk art,Han Meilin's individuality of artistic work is basically decided by cultures beforehand Dong Han and Xi Han dynasty.The goal of he studyed the ancient language was looking for the value in his artistic and the formal esthetic perception.Today,when he collected these treasure and synthesize them to“Hieroglyphic Book”,He hoped to provide a reference for the fine arts, because the “Abstruse Writing”of ancient language is not inferior compares the “the standard”of foreign teaching.
40-41 by Zhao Li：Editor's note: The artistic phenomenon is a part of social phenomenon,the financial crisis inevitably and directly or indirectly affects art.How does the financial seaquake affect art？What is the status of artistic market currently？What do artists think？What are they doing？
44-45 by Zou Yuejin：Editor's note: That the nationalism is the globalism dates back long time ago,which has been long-term confused and biased.In “Where is the World” and “Some Views on Establishing Methodology” of this issue and in the comparison of Chinese and western culture,that the so-called nationalism is globalism has been deeply analyzed and explored to make an objective and clear judgment.
50-51 by Pang Lu：Editor's note: It is our long-term work to concern the current,and continuously understand and
criticize artistic phenomenon.Based on symbol quality of art in this issue and under the circumstances of financial
crisis’ impact on art market,cognitive judgment has been made to come up with valuable opinions.
52-53 by She Guozhen,Shu Songwei：Abstract: Based on the workmanship tradition and the development trend of Putian
stone carving,the author considerably expounded such artistic styles as“romantic charm in literature and art”
“good model”“fine carving and chiseling”“beautiful line description”“unlimited way of writing ”“abundant
dedication” and “ usage of big and small way of writing”.It’s not only a kind of experience,but also creation of theory.
Key Words：stone carving,workmanship tradition,art style
54-55 by Liu Hu,Chen Gang：Abstract: The modern city construction and environment arranging design of China is independently done by architects,who lack deep understanding on conception of sculpture works,composition of pictures and art processing and they don’t think about the environmental factors from the angle of sculpture works.Urban sculpture is an organic part of overall environment and it’s indivisibly integrated with its environment. The sculpture form and content and its environment is the key of affecting the combination of sculpture and the environment.
56-57 by Teng Jianzhi：Abstract: The art of sculpture aims to express and praise life itself.Motion and change are essential characteristics of life.Life’s motion and change is because in life exists a kind of power,which radiates from a core to make life ceaselessly expand in the processing of life,which leads to an entire,fruitful and vigorous form.And this kind of form is what artists seek,and the “core of life” is unique for each individual life so grasping the core is catching the essence.
Key Words：sculpture,sense of expansion,life power,core
Key Words：environment,urban Sculpture,style,spirit
58-59 by Liu Yi：Abstract: Nvzhen Ethnic Group established a a powerful country and imitated central-area countries to create its own culture.This horse-driving country left precious historical materials and supplied proof for researching this cultural characteristic.
Key Words：nvzhen ethnic group,exchange and integration,sculpture art
60-61 by Jin Limin：Abstract: The cut-and-paste craft is a special craft in south area of China. It is brought into exercise on the top of temple building in south area of fujian Province. Through the on-the-spot investigation and studying of temple buildings, a conclusion discussing its development,and analyzing the tools,materials,producing procedure.
Key Words：the cut-and-paste craft,south area of fujian province,the temple building
62-63 by Han Yonglin,Wu Xiaoling：Abstract: “Three-body and one-head fish” picture is the key representatives of the composite ichthyosis.Its unique design and art model are widely used and passed on by later ages. “Three-body and one-head fish” picture in the stone carving of Han Dynasty not only expressed the spiritual world of people in Han Dynasty,also embodied their art wisdom,especially model thought and regular pattern contained in the picture art,which worth our research and use for reference after the millennium .
Key Words：three-body and one-head fish,art modeling, stone portrait
64-65 by Pan Youlong：Abstract: In the Chinese art history,there are two kinds of recognition of beauty,natural and sculpture decoration beauty.And the art beauty of Shoushan stone carving is the natural combination and perfect unification of these two kinds of beauties.The beauty of carving art of Putian precious stone sculpture art the writer talked about is right the representative of reaching the extent of “extreme gorgeousness based on dullness”.
Key Words:beauty of Tian stone,beauty of deep meanings,beauty of sculpture decorative art
66-67 by Li Benhua：Abstract: Xuzhou’s old name is Pengcheng,it was one of the birthplaces of the Han culture.“Jiangu dancing model” among many cultural relic unearthed in Han has the strong geographical features.“Peng”,an onomatopoeia,means drumbeat and is closely linked with Pengcheng.The character of “Peng” is a hieroglyphs of “Gu”.“Jiangu dancing model” showing peace and happiness is what people pursue for generations and also becomes the symbol of creating harmonious society.
Key Words：music and dance,culture,sculpture
76-77 by Peng yue：Editor's note: In the beginning of 2009,the auction of the Yuan Mingyuan rat and rabbit heads in France attracted the attention and media and the public.This event is not only a cultural art event,but a right-safeguarding event of cultural relic with all the Chinese involved.In the right-safeguarding column,discussion and analysis were developed on Chinese’s spiritual changes and response,and strengthening protection of cultural relic from the angle of history in those published articles.
82-83 by Mu muxi：Rabarama’s figure sculpture is full of activity and vitality. Based on classical realism body plus modern-style and symbolic tattoes,it elaborates her deep understanding between single life,fate and nature and society and illustrates metamorphosis course of human being trying to surpass flesh and pursuing the freedom of soul.