2005 No.6(Vol.50)

OBSERVATION
06 Eminent North Mountain Show Awe-inspiring/by Dongtu
09 The Stone Whisperer/by Tongyao

12 The Investigation and Thought of the Quyang Sculpture Industry/by Zhou Liguong
14 Where is Quyang Carving Development Direction/by Wang Mengjia
17 Discussion on the Cultural Value and Modern Significance of Quyang Stone Carving/by Yang Wenhui
20 The Summary of Quyang Stone Sculpturing Traditional Theme/by Liwei


FORUM
22 Studies of Symbol and Sculpture Art/by Zhang Daseng
23 Discussion on Modern Sculpture Art & Symbol/by Ying Xiaofeng 
24 Symbol Establishment in Sculpture Form/by Teng Xiaosong 
25 Semiotics Application Analysis and Research for Sculpture Art/by Lin Baogang
26 Looking at Symbol of Sculpture Language from Art History/by Hanlu
27 Exertion of Symbol Vocabulary in “Heng Mountain”/by Zhang Guojun
28 Social Cognition of Contemporary Sculptor/by liu jun
30 Commonality Problem of Sculpture Art /Shen Jianguo Zhang Zhijun 

DISCOVERY
32 Impression after Judgment for the 3rd Huian Traditional Carving Competition/by Qian Shaowu
34 Essay of Stone Carving City/by Zhang Yunxiang
35 Where is the Soul of Sculpture Art Education/by Huang Bangxiong
36 Creating Works Skilfully/by Teng Xiaosong
40 Emphasis Is Poem and Thought/by Hanxing
42-44 SHE XIANGQUN / XU JIANAI

OVERSEA
49 Sculpture of “Cultural Desert”/by Xiang Bingxun 


LANDSCAPE 
50 Xixia: Seeking the Road of Development of Chinese Media and Small City Landscape /by Subin
55 Talking about the relationship between Sculpture Art and Times/by LiZhong
56 The path of creation of “Union of Theory and Practice”/by Zhucheng
58 Shaping“Lao Zi”into Mountain/by Wang zhonglin & Hu Chunliang
60 Performance Art by the Great Wall/by Wuhao,Yang Xiaoyang & Li Jianyong